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| Born: |
1949 |
San Francisco, CA |
| Education: |
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B.A., Indiana University, Bloomington, IN |
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Selected
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2005 |
New Work, Marsha Mateyka Gallery. |
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Solo Exhibitions:
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2004 |
Andrea Way, New Works on Paper, Pierogi, Brooklyn, NY |
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2003 |
Brian Gross Gallery, San Francisco, CA |
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2001 |
New Paintings: "Triple Treasure", Marsha Mateyka Gallery |
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2000 |
"New Paintings", Marsha Mateyka Gallery |
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1998 |
New Work: Gravity Pools, Marsha Mateyka Gallery, Washington,
DC |
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1995 |
David Adamson Gallery, Washington, DC |
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1994 |
In Black and White, Nancy Drysdale Gallery, Washington,
DC |
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1993 |
Brody's Gallery, Washington, DC |
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1992 |
Retrospective 1981-91, Brody's Gallery, (also 1986,1987,1989), Washington,
DC |
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1989 |
Fendrick Gallery, New York, NY |
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1985 |
Fendrick Gallery, Washington, DC |
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1983 |
Fendrick Gallery, Washington, DC |
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1982 |
Barbara Kornblatt Gallery, Washington, DC |
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1980 |
Barbara Fiedler, Washington, DC |
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| Selected Group |
2004 |
"Concentrics", Marsha Mateyka Gallery, Washington, DC |
| Exhibitions: |
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"200 Drawings from the Pierogi Flatfiles", Illinois State University,Normal IL |
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2002 |
Drawing Center, 25th Anniversary Exhibition, New York,NY |
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2001 |
Interplay,curated by Sarah Tanguy, American Physical Society, American Center for Physics, College Park, MD, October 30, 2000 through May 22, 2001 |
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1996 |
Drawings: Realism to Abstraction, Contemporary |
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Survey of the Bay Area, Triton Museum, Santa Clara, CA |
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1995 |
Irrational Landscapes: Mapping the Unconscious
Psyche and Non-Terrestial Spaces, Binghamton
State University, Binghamton, NY: traveling to New York Academy of Sciences, New York, NY
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1993 |
NNDG, Emerson Gallery, McLean, VA |
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Cryptics, School 33, Baltimore, MD |
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1992 |
Drawn in the 90's, Katonah Museum of Art,
Katonah, NY,Joshua Smith, curator
Prints Washington '92, Corcoran Gallery of Art, Washington, DC
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1991 |
Recent Acquisitions, Hirshhorn Museum and Sculpture
Garden, Washington, DC |
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High Density Abstraction, Proctor Art Center,
Bard College Annandale-on-the-Hudson, NY 42nd Biennial, Corcoran
Gallery of Art, Washington, DC Second Bharat Bhavan International
Biennial of Prints, Roopankar Museum of Arts, Bhopal, India (invitational) |
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1990 |
Bones, Brody's Gallery, Washington, DC |
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Fenrick at Foster, Foster Gallery, University of
Wisconsin at Eau Claire, WI |
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Drawing the Line, Fendrick Gallery, New York,
NY |
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1989 |
Tools in Art: Tools as Art, Brody's Gallery, Washington, DC |
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100 Women's Drawings, Hillwood Art Gallery, Long Island
University, Brookville, NY and traveling ( catalogue ) |
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Contemporary Drawings, USIA traveling to Europe and Pan America, Judith C. Van Wagner, curator (catalogue ) |
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1988 |
Transcendence, Baumgartner Galleries, Washington, DC
Alphanumeric, Brody's "Ten Year Anniversary Show", Arlington Art Center, Arlington, VA
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Summer Works Gallery, Washington, DC |
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1987 |
On Paper, Jane Haslem, Washington, DC |
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1986 |
Drawn Out, The Corcoran Gallery of Art, Washington,
DC |
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1985 |
The Washington Show, The Corcoran Gallery of Art,
Washington, DC ( catalogue ) |
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Selections, The Drawing Center, New York, NY |
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1984 |
Labor Intensive Abstraction, The Clock Tower,
New York, NY |
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1982 |
Juried Painting Show, Arlington Arts Center, Arlington, VA,
Jane Livingston, curator |
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1980 |
Elements in Art: Form, Arlington Arts Center, Arlington, VA,
Louis Andre, curator ( catalogue ) |
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Paper: A Group of Changing Uses and Concepts, Gallery
10, Washington, DC |
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1979 |
Elements in Art: Texture, Arlington Arts Center, Arlington,
VA, David Tannous, curator. |
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| Museum |
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The Artery Organization, Bethesda, MD |
| and |
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Cleveland Museum of Art, Cleveland, Ohio |
| Corporate |
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Continental Corporation, Richmond, VA |
| Collections |
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Corcoran Gallery of Art, Washington, DC |
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Crowell & Moring, Washington, DC |
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Federal Reserve Board, Washington, DC |
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Hirshhorn Museum and Sculpture Garden, Washington, DC |
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KPMG Peat Marwick, Washington, DC |
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National Museum of American Art, Washington, DC |
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Phillips Collection, Washington, DC |
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Prudential Insurance Company, Newark, NJ |
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Putnam, Hayes & Barlett, Inc. Washington, DC |
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Quick, Finan and Associates, Washington, DC |
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Sallie Mae Corporation, Washington, DC |
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Southeast Banking Corporation |
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The Washington Post, Washington, DC |
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| Selected Bibliography: |
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Allen, Jane Addams, "Drawing on the Intellect", The Washington Times, 11 November, 1986.
Baker, Kenneth, "Abstract Painting with a Twist", San Francisco Chronicle, 6 November, 1991.
Cameron, Dan, "Is There Hope for Art in Washington?", New Art Examiner, March 1988: pp. 33-37.
Cohen, Jean Lawler, "Formal Abstraction", Museum and Artst Washington,
September/October 1989.
Collischan Van Wagner, Judith K., "Lines of Vision: Drawings by Contemporary Women", Hudson Hills Press, New York, 1989-90.
Dawson, Jessica, "Andrea Way at Marsha Mateyka", The Washington Post, 11/22/01, Arts, p.C5
Dorman, Mark, "Collaboration: Prints as Process", New Art Examiner, April 1991, p.40.
Eskin, Otho, "Andrea Way: New Drawings, Brody's Gallery", Washington, Review, December 1987/January 1988, P.23.
Forgery, Benjamin, "A Gentle, Funny Tour in No-Man'a Land", Washington Star,
May 1980.
Garber, Elaine, "Andrea Way, Triple Treasure", Washington Review, spring 2002,p.12
Gibson, Eric, "Corcoran puts painting to test as viable form", Washington Times, 6 September 1991, E2.
Gibson, Eric, "On Display: Finding quiet beauty along irregular lines", Washington Times, 24 October 1991, M8.
Howard, Beth, "Recommends", Museum and Arts Washington, November/December, 1986, p.15.
Huberman, Bernardo A., "An Ecology of Machines", The Sciences, July/August 1989, p. 38 ( illustrations only ).
Kessler, Pamela, "Drawn Out: Getting a Line on Seven Artists", The Washington Post, Weekend, 5 December 1986, p. 61.
Lewis, Jo Ann, "Andrea Way at Fendrick Gallery", The Washington Post, 27 April 1985.
Lewis, Jo Ann, "Andrea Way's Rules of Intuition", The Washington Post, 10 October 1987.
Lewis, Jo Ann, "The Visual Launching Pad", The Washington Post, 17 October 1987, D2.
Lewis, Jo Ann, "Auras of Abstraction", The Washington Post, 9 January 1988, D2.
Lewis, Jo Ann, "Acquisitions", The Washington Post, 25 October 1991, pp. B1,B8.
Mahoney, J.W., "Transcendence at Baumgartner", Art in America, April 1988,
pp.213-14.
Mahoney, J.W., "Andrea Way at Brody's", Art in America, April 1990, p. 274.
McCoy, Mary, "Alfred de Credico/Andrea Way", New Art Examiner, June 1985, p. 51.
McCoy, Mary, "Andrea Way Brody's Gallery", New Art Examiner, Summer 1986, p. 51.
McWilliams, Martha, "Shaping Up", City Paper, April, 1993.
Posner, Helaine, "Andrea Way: Drawings: The Standard Bearer", exhibition catalogue, Brody's Gallery, Washington, DC
Posner, Helaine, Print Collector's Newsletter, vol XXI#4, September/October 1990, ( review of "Shark" ).
Protzman, Ferdinand, "The Inviting Depths of Andrea Way's Pools", The Washington Post, 3/23/200, p. C5
Protzman, Ferdinand, "The Force is With Her", The Washington Post, 9/17/98,
p. D5
Protzman, Ferdinand, "Musical Geometric Abstraction", The Washington Post,
9/30/95, p. D2
Raynor, Vivien, "Art Selections 28, The Drawing Center", The New York Times, 3 February, 1985.
Richard, Paul, "Whimsical Way with Patterns", The Washington Post, 5 April 1986.
Richard, Paul, "Spectrum of Superlatives", The Washington Post, 29
November 1986, D14.
Richard, Paul, "Abstract and Personal, At the Corcoran Biennial, a Passionate Bow to the Past", The Washington Post, 6 September 1991, pp. F1, F6.
Rifkin, Ned, "Drawn Out", exhibition catalogue, Corcoran Callery of Art, November 1, 1986 through February 1, 1987.
Risatti, Howard, "Reviews Washington, DC", Artforum, January 1990, p. 146.
Russel, John, "Memorable Images in an Anthology of Drawing", The New York Times, July 1992, 5J.
Schmerler, Sarah, "Seeing Brooklyn in the Details", Art on Paper, May/June, 2003,
p.48 - 51.
Shannon, Joe, "Andrea Way at Marsha Mateyka", Art in America, October, 2002, p. 168
Tannous, David, "Report from Washington, DC", Art in America, Summer 1982.
Thorson, Alice, "Galleries", The Washington Times", 11 November 1986.
Thorson, Alice, "Galleries: Two Approaches to the Group Show", The Washington Times, 30 July 1987.
Thorson, Alice, "Brushing the Surface", City Paper, 26 September 1991.
Welzenbach, Michael, "A Way with Patterns", The Washington Post, 7
October 1989, C2.
Welzenbach, Michael, "Galleries: Andrea Way at Brody's Gallery", The Washington Post, 19 October 1991, D1.
Wilson, Janet, "Heavenly Hodgepodge: At the Hirshhorn, Trotting out the Recent Aquisitions", The Washington Post, 25 October1991, B1, B8.
Wilson, Janet, "The Euclidian Rainbow", The Washington Post, 17 April 1993,C2
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